andreas saag returns to local talk with a follow-up to his back to life ep, this time he has invited longtime friend and studio partner cazuma mori, together both of them offers the local talk fans house music with a distinctive production technique. >nostalgia< is a warm stomping basement beats floor-filler, with a fat bassline tempered by rising chord textures, smartly coordinated with the pulses in the track. both saag & cazuma showcases their skills in tackling slower bpms too. the b-side >cant hide it< comes with intricate keyboard work and deep atmosphere that is driven by an appealingly on-point house bassline. the track picks up a new elements at just the right moment to keep you on board the whole 8 minutes. there is no messin around here, just pure deep house from local talk.

special ltd flexy disc & 12inch!west coast meets the fat beat and obsessive bass of the kitchenstudio3 crew.first ever electronic release of alan sellers that, with the precious help of dj pezzo, fix the point of a new and never heard before, luscious and juicy stile.

limitierte neuauflage des klassikers von 1983! police in helicopter wurde mit den roots radics im channel one studio aufgenommen, am mischpult saßen der engineer soldgie und der produzent henry junjo lawes. für die hervorrragenden backing vocals waren al campbell, the tamlins und tony tuff verantwortlich.

nite recordings third 12 inch brings a amazing production by deep mariano & yoshitaca together. this single gives us an original song called oh yeah! with a crazy voice sound and very fat bass line. in the other side of the vinyl we have a deep house song called smog, perfect for warming every dance-floor. also we have a remix from fer marino of oh yeah! which highlights the crazy voice with classic 909 drums. a must-have 12 inch that you can play a any time.

fat and filthy basslines and a nod to old school uk garage is the order of the day at ellum audio for debut single on the label from brighton wonder boy sam watts aka maxxi soundsystem. sstellas way is a glorious slice of big room fun and it comes equipped with a pair of tasty remixes from he-can-do-no-wrong-huxley and the rising shall ocin.

new cosmopolitan label with arms in spain, france and the usa delivering some quality house music! slow town records drops some intense and pure tracks by joe babylon (roundabout sounds, us), tomas es (greece), khalil (tunisia) and jesuon (italy, hypercolour). this various artist catalogue opener show the intentions of the label, fat & sweet, deep & warm. promising start with some talented new names as well as some big shots in the pipeline. check!!

mr eclectic electric, mr internationalist (69 countries to date), part time fat freddys drop collaborator / remixer and dj (electric freddy), the john coltrane of electronic music, grammy nominated (2002), multi award winning dj and producer, daddy vad returns with his 6th solo album entitled >dont be scared<.

there s only one thing that matches a new my love is underground 12 - a remastered pressing of one of the label s certified hits! paris underground trax volume 1 was one of the records that catapulted the french label into the spotlight - at the time produced anonymously, it later emerged that mr brawther was the man behind the four retro house cuts. it s a wonderful homage to the deeper strains of 90s new jersey, nyc underground and sexy thing remix still smack of kerri chandler at his most bumping, with fat pads, sultry vocals and gritty basslines. the b-side features uptempo gem hardcore deep house , while gtfo! glides along with warm, embracing chords. if you missed out first time round, don t make the same mistake again.

elektro guzzi have been called a lot of things – from man-machine to first ever real live techno band – and most critics have added plenty of superlatives to their descriptions.

includes a free cd-copy of >master mind &#8206,,,– headfuck reloaded vol.2<.

arttu returns on 4lux and he returns on form with two new cuts. summin bout drums is a dirty and sleazy house affair. the finnish producer now residing in berlin comes with two fat versions of his own while basic soul unit provides for a frantic remix with a crazy acid vibe. set you free is a bumping track with hard hitting drums cut up vocals and harsh synth elements. time to jack!

four fat techno tracks. remastered by matt colton 2012 d/n records

1 year after the modest success of vol.1 kastil returns to our outernational imprint with a follow up to dusty edits vol.1 . de2 is a ferm disco influenced 2 tracker which has those significant kastil fat kicks and is soaked with finetuned samplework. mcgeever is set to be one of this years late summer slammers.

limited picture edition !!the sucessfull producer duo vokal & grieche is back with a new stunning release.after two #1 bombs they present their next fat bomb on vinyl.even their latest sound rocker ep became a huge sucess, being influenced by manytalented producers who contributed to this...

nice price deal !!! with support from djs as diverse as david rodigan and mark lamarr, plus support slots over the last twelve months for fat freddys drop and the selecter, brighton dub outfit resonators are starting to cause a real storm both in the reggae community and beyond.

dead capo is a quartet that fluctuates between the classic sounds of jazz, the attitude of rock and the trepidation of surf. all of this seasoned with the cinema sounds of rota or morricone.
it has been 10 years since their debut lp, díscolo (pueblo records, 2002), made waves with the national critics. their new album is once again surprising and the band sounds as fresh as when they started their journey at the end of the 90s. sale (lovemonk, 2012) combines an extraordinary energy with passages of meticulous precision and goes from wild to calm in a way that is both unexpected yet natural. thelonius monk, cartoons, cinematic landscapes, rocks past, africa, surf and the ballad come together in an album as great as it is as unpredictable.

sonar kollektivs inclination towards dubbed out pop/dance music is definitely no secret (see fat freddys drop or eva be). but with this brand new 7inch the berlin label hits the nail on the head. chicago-born jeremy sole is one of the program selectors at renowed la radio station kcrw and hosts a weekly party in santa monica where he blends afrobeat, funk, reggae, latin, brazilian and everything else under the sun!

manare treats his productions as any other stuff he is involved in, like the fresh prince of paris that he is. just one hearing of this new ep and you will understand what manare has to say: a lot! >quartz< is a deep technoid house groove full of rooted vibes, what some call organic sound, which will takes you on a journey to a future motherland. the flipside >down to dis< is a heavy bouncing 808 beat, lifted by colorful chords and that fat loaded bass so cherished by the clekclekboom fam. this 2 tracks number combines an impressive wide spectrum of club music… a head nod guaranty, any time any place, whatever mood you are in. limited edition heavyweight 180g 12 inch vinyl.

moka only is one of canadas most celebrated hip-hop exports, a former member of canadian rap royalty swollen members who has released dozens of solo projects since he broke through in the mid-90s. ayatollah is one of the most respected producers in the american underground hip-hop scene, having crafted classics like mos defs >ms. fat booty< and talib kwelis >the proud<, plus tracks for styles p, pharoahe monch, masta ace, cormega, inspectah deck, and many more. now, these two talents have come together for a full-length collaboration straight out of hip-hop dreamland. all rhymes by moka only (as his alter-ego ron contour) and all beats by ayatollah.
double 12 inch release, including 2 vinyl only tracks.

spring 2012, in his dark analog moustache records homestudio downtown rotterdam city david vunk made his bowie ep. this energizing ep contains 3 various styled tracks for the dancefloor. on the this side the track forever always a stunning filter house tune with a vocal that goes on and on, a fat party break and rolling low kickdrums topped with some crazy hihat programming. deep deep deep! 45 rpm rolling. on the that side two tracks. a notorious full power hi energy nu-disco/electro track filled with evil strings, catchy melody, tr-808 drums and arp odyssey baseline madness called disco sysex. the b2 track called vroezenpark sounds like it comes straight from hell, a dusty techno track with berlin infleunces, tr-909 drums and a roland jupiter 8 synth. insane and paranoia style. this very limited pressing comes with luxury gatefold fullcolour sleeve, poster and hand numbered, limited copies.

highly recommended!unity is the first single taken from third sides forthcoming album unified fields, that will be released on restoration records in september 2012. third side is the project of the analogue cops and panorama bar resident steffi, their collaborations, which have been released exclusively on restoration, have been of the most interesting jams of the last years. the original unity, a fat overshadowing deep techno track, written and produced only with machines and recorded on tape, comes with 3 massive analogue remixes. the rework made by blawan (sheworks/hessle audio) smashes the parts of the composition with overbearing oldschool british manners and the result is a broken shuffled industrial hammering. on side b, steffis remix is relentless, rushing and carefully build:her attention for the processing of every detail transforms the original tune into an hypnotic breathtaking excursion. the last treatment is performed by the nightjars, an unidentified project that has brought down a particular attention for its debut ep on vae victis records. with a bossy employ of the most advanced analogue equipment, the nightjars slash an incendiary attack of warehouse garage.

inspired by the wise words: the moment you start seeing life as non-serious, a playfulness, all the burden on your heart disappears. - osho nansen: the point of departure chapter 8.
playfulness, sees the talented german duo in fine form, turning in a slice of skipping house that welds organic percussion to a heavily electronic groove that slowly unfurls into a warm, synth-led number that owes as much to chicago as it does to european micro-house. combining fat melodic sub bass grooves, alongside intelligent layers and synch patterns, creating the perfect dance floor journey for the music purist.

formed somewhere in the 5th dimension, acid mondays is the cosmic coalition of fellow psychonauts negghead and lex wolf. brought together by their love for fat beats, inter dimensional travel & cups of tea, they are on a never-ending journey exploring inner and outer space. expect altered states of hallucinogenic house and reality bending techno. it would be a cliché to say they have a great future, but they’ve been there and beyond and have returned to the now to do it all again…

karat welcomes a new band for the release n°47. we are happy to host some canadians again on the label. the mole, guillaume & the coutu-dumont, egg and eddie c have already represented this country for karat ! these guys from vancouver know how to make it right ! 3 massive tracks, « boomer » in a rough and fat pumpin style, with nice breakdowns and atmospheric landscapes, perfect for the club, nice for home, « full moon cycle », the depest piece of the record, doesnt need much precise words. its simply beautiful moody and elegant music, « house of business » is a nice groovin track with deliciously arranged with typical jazz elements, brass & keyboards, in a pure canadian cut-up house vein

on >work that shit party<, a fingers inc. style rhythm buttresses a two-note riff, a crackling male voice filtering in from the ether. a pinging keyboard zips around before that two-note flicker expands and contracts, warps and wheedles. but around halfway in, a female vocal refrain of >gonna work it out< breaks fat lacerations into pinholes, blaring keyboards seeping in through the gaps and crevices. then, as with >d117<, it is the congealing of all these disparate elements: a work it out from fischerspooners lizzy yoder sashaying with the two-note riff, the keyboards bouncing off the ceiling, and flaring hi-hats fraying the surface played by pat mahoney (lcd soundsystem). each portion is given its due, only to make the ensuing combination that much more enthralling.

following dj qs vinyl-only brandy & coke local actions second release of 2012 comes from slackk – one of our favourite djs and producers.paul lynch has been one of londons best kept secrets for years, he founded the pirate radio website grimetapes, and produces as both slackk (releases on numbers) and patrice & friends (last years cashmere sheets album featured high on fact and the wires best of 2011 lists).raw missions is his most substantial statement yet – a tribute to the widescreen grime of producers like ruff sqwad, wiley, oddz and alias, all massive influences on both him and local action. its heavy with a tinge of longing, and full of power.first pressing comes housed in an album-style sleeve with spine

lowkey & kardinal are undoubtedly the most excited french techno duo at the moment. after several success on afulab, lowkey & kardinal return with a massive track called >suspicious mind< on our own label. in guest the rising of french techno, traumer (already released on 1605 / skryptöm / toolroom and many more ...) with a fat and emotional remix !

after his last single asset 001 and releasing his distance track on dogmatik records, stojche returns with the second release on his own solo tangible assets imprint delivering another four cuts, whereby we witness his consistency in putting out a must-have quality works. the 1st track on the a side is called you & me. podium techno tune where the 909 drums and the fat baseline interact perfectly with musical theme. stojche starts off with the pad lines, building them up with various chords, synth swabs and dubby layers that strike in perfect timing. this one is real immersive moody groover. a2 -mechanism has an electric piano aspect as key texture that jams along the track, and later the amazing string arrangement creates a lot of space for the drum sequence to bring the mood to another level. this tune could do a lot of damage on the dancefloor if dropped in a right time. b1- revolt kicks off with a storming groove right from the start. uncompromising drums with the acidic synth keys that rumble in 4 on the floor beat that showcase chicago house influences from the past. b2 - podrum is the closing track of this single that carries a real strong emotion and deepness. classic detroit influenced after hour tune approached in style. the warmth stretches across the entire soundscape, where we witness stojches skills to create an essential spiritual deep house number. definitely stojche has succeeded in delivering four different quality works to one beauty of a record!!! asset002 will be available only in tangible (physical) format

as is generally known, the night is not limited to the time dimension but has also a spatial dimension. the darker the night, the more artificial is the light and the more the even apparently well known places become unreal. patrick pulsinger resorts to such dusk-to-dawn places by using his three excellent tracks of his new release >nocturnalcat<. or to tell it better: he makes us streying.

gogo music is ten years old, and now is celebrating its 50th release. this time it is a great collaboration between ralf gum and robert owens. ralf gums mix is a deep track that start with percussive groove. deep, fat bassline under elettro synths perfect for dancefloor. the remix is under dj spinnas knowledge with same ingredients but more deep and hypnotic. useless to comment robert owens voice. always useful instrumental and beat versions. a package to have ... for sure in top 10.

first up is 92, a straight up jacking deep house number with, as the title suggests, a retro flavour. the deep repetitive pads are jacked up with amen break style drums that were used so widely in electronic music back in the 90s. some quirky synth lines and vocal licks here and there give the track its touch of soul and then a fat bass line to bring in the bottom end. high quality simple yet effective house music...

fat acid hard techno, psytrance and acidcore tracks!

andres zacco & marco zenker, rosario & munich, argentina vs germany. an old football classic since ever again. in this case here its less about vs or vst, way more about teaming up for a split ep and wiping on another debate between daves place and pompaks knee shirt. while andres is selling knee shirts every summer at rosario citys hotspot el putito del calore, marco could directly move into dave s place as he spent more time there in 2011 then daves couch. must be the schlachthof vibe or simply daves roomate cooking for the boys. simply wonderful mix between bavarian & argentinan carnecerias. the cuts are huge and fat as always. played by everyone instead of nobody. grazie per tutti - esperanza label el records.

fat! supported by: dirty doering, david labeij, brothers vibe, dave seaman, jackspot, lula circus, paul oakenfold, doomwork, yokoo and many more. agora audio, the berlin based label owned by dj/producer erich bogatzky launched at the beginning of this year with a superb single from lula circus. now the imprint turns to germany producer carsten rausch for the labels second offering, the superb >somewhere in between<. this is only the second release from agora audio but it is clear the imprint are one to watch in the months to come.

contains 3 fine thoughtless music eps. arthur oskan - fat mobile ep, dave vega - altars of magic ep, dietrich schoenemann / metalogic / bryan zentz - hollow strangers ep

a one sided special acid techno release from chris liberator and sterling moss, a big fingers up to the bankers politions getting fat of our backs! all profits go to the occupy anti-capitalist campaigners.

2016 repress with basic artwork! ... robot dystopia , fat futuristic electro / electronica 7 track ep - limited to re-release

the italian slok consider himself more a great pasta chef than an underground contemporary electronic music artist...by the way, he had big influence on the italian breakbeat, drumnbass and jungle scene with his two debut albums they call it jungle and freak 2000, both produced for the renowned irma records. after a natural change to electronic and personal house music beats and sounds in 2006, the international club hit lonely child, released with the collaboration of satoshi tomiie & hector romeros saw recordings label (defmix production), boosted his musical career quickly. his discography also includes releases and remixes on hi profile records labels like get physical music, my favorite robot, circle music, one records, turbo, om, harthouse, plastic fantastic (stereonova), futic tokyo and many more. he currently runs on his own imprint electronic petz, a structure created for support brand new talented electronic music minds. in 2010 he released two different albums: rain, on alex flatners label circle music germany, and the fat pasta grooves on electronic petz. after an intense studio work and sounds research, the year 2012 promises to be full of new collaborations including the release of a new artist album and a live set.

an incredible u.s.a.-belgium collaboration between the dirtiest mc juan huevos and phranteek. all started when phranteek was sound engineering a juan live act. he just says >man? i guess you ll like to records some miami bass tracks?<. juan was like >of course!<. at the end of is tour, kick the lyrics on some phranteeks 808 beat. and the magic happened! phranteek says that mr. huevos is a studio beast… and we can feel it.
on b-side, daveluxes dubstep remix is incredibbly fat. we never thought releasing dubstep music, but this is not dubstep… this is deep schizophrene robot sounds highly doped on bootybass music!
winner of octaves de la musique award in 2011, dj elephant power remix sounds like a travel in a futuristic india. while listening to it, you can imagine some elephants in disguise dancing on ghettomusic!

a cool work from xpansul and alessio mereu coming back together in the same ep, after the previous project from somewhere to nowhere released on 2009 on t-bet records. but this time theres a striclty featuring enclosed in the emphasis of two tracks, including a remix by sasha carassi already known for his great works on various labels such drumcode and mores.moldy oscillatoris a powerful mix of synth attacks and transporting bassline, the kick is very deep but strong too. an ancestral background takes everything so dark and aggressive, a great techno dark mix.second step for moldy oscillatorremixed by sasha carassi, the bassline is very fat and hard, the synth runs in background very hypnotic and insidious. heavy techno dark gear of course.acid cream whiphas a pumping groove and is framed by a an electronic bassline, an acid synth carrying the track very high, rolling chords and majestic cuts. acid pumping techno tune. a flawless job, where youth and experience are a winner pair for an epic release of course. analytic trail, your trusted music dealer.

francesco grant has become an institution of the finest techno/house tracks on afu and way beyond and returns with his fourth release and three brand new tunes.
>dont scream< is a prime time piece that delivers with its cool funky rhythm bed and the cut up samples that became so much of francescos trademark.
>everybody love me< takes his style even further with vocoded vocals and >still here< rounds it up with some mental ladies voice and a fat groove! enjoy the ride ...

dancefloor killer -take a trip-, led by hector moralez vocals, is the story of a mad after hour where dj w!ld got two years ago in ibiza. a funky house track with old school beat and a mesmerising fat bass. remixer-s monikers do not necessarily need some more explainations, just feel the quality and consider their legacy. long-playing a-side -radio slave-s gotta get up remix- is the reflection of matthew edwards- love of re-edits and remixes, with his particular taste for jackin- sound beloved of house aficionados and fractured funk, oddball beats and mechanical soul. incendiary tune. veteran on the remix world, with highly expected remixes that drive dance floors across the globe to ecstatic conditions by means of his intense beats and rhythms, dj sneak delivers a furious banging house remix on b-side, with melodic rhythms that will suit dancers- soul. duo having instant chemistry as friends and in the studio, fries & bridges a.k.a phil weeks & hector moralez set the bar high with their consistent quality of house music. their -ghetto mix & dub- are sick, tight and tasty, and will for sure ingnite dancefloors worldwide.

from rome to glasgow through bavarian lands, analytic trail to forward its last project. the young frankyeffe comes from the success of his releases on labels like: remain records of axel karakasis, naked lunch of a.paul and kombination research of mr. cisco ferreira a.k.a. the advent. riot is the name of this ep made by four tracks, including remixes by harvey mckay and alex bau. first remixer comes from scotland with his debut album, machine make noise and the amazing project nightwalker on soma records. with starting his own label toneman back in 2000 alex bau also started to his soloproductions for labels like chris liebings clr and sleaze records with a great remix by alan fitzpatrick. riot has a straight kick, an obstinate synth reverbered in background and a sereies of short hihats. the track is mostly characterized from continuous aggressive snares that making an hard groove and all is surrounded by a fat bassline, old school techno style.

electric envoy consist of sven dedek and marco polo and they relaunched one of their famous projects from the past into todays formats with three fat techno and detroit influenced tracks for their first release on afu limited !

since we met ark in spain a while ago. after being around since 1997, we were curious what he would do for a small label like klamauk. well, we are happy that we ve got one we really love for its moods. his track >fat runner< is a deep growing house track with arks typical kind of breaks, getting faster and faster, ending in a true dance monster. welcome to the klamauk family

one year ago digitaline has released raouls very first release. it has been one of their most successful eps so far and both tracks instantly found their audience and brought raoul onto the main floors of the entire world, where it still stands confortably one year later. so what better than to celebrate one year of the label and welcome digitaline back home? same format: two tracks of deep techno, fat grooves and aerial melodies made for the dance floor. almost made on the dance floor. true! digitaline’s sound is always very inspired by their live performances and with those two tracks the boys wonderfully managed to transpose the best of their live skills, energy and dynamic. before finally being released here, both tracks have been played live on many floors throughout 2011, adjusted slowly set after set to touch every soul listening. a-side neon is a massive groove infecting the entire track through long breaks, while synth strings generate waves of tension in the piece. b-side comet is build around a big round bassline and concret noises that give the track its organic motion. the melodies of the track seem to come out of a fairy tale, dreamy arpeggios that defy the laws of gravity.

highly recommended! marieu comes back with an amazing solo e.p. on his own label enlightened wax after the worldwide success of his first work, heavily played by the most appreciated underground djs. as usual, this record has been written, mixed and produced only on dusty machines and recorded on juicy magnetic tape. the opening track, >ancient times< is a capturnig fat deep house track with a subtle female chant and space-station pads a2, >heat eninges< is build on an heavy ground shaking bass, a wagging latin piano riff. big claps, and sharp cymbals. funky and relentless, its just an essential choice for every swingin dj. on side b,>radiant< develops on a solid bass drum a filtered house groove making a breach to a charming jazzy piano and a blues voice. a complete feeding for every hungry dancefloor b2, >spectrum<begins with a dark hypnotizing groove enlightened in the middle of the track by an uplifting motorcity pad. striking and suggestive.

spezial price!!! the creative hub of taron-trekka, as well as dj team and beat crafter furnishes an individual experience of togetherness, a complete understanding on a deeper level. they have this primal groove, around which everything rotates, internalized. they carry this groove with their own signature out into the world. this raw groove diamond is constantly sharpened without being completely polished on all facets. on the new fat release they stand for an electric-infected development, that allows only the solution to seep in: deep-in-the-peak! thereby the kraken clutches fiercely to the coral reefs of the soul. their vision of a living sound can thereby sometimes morph precipitously into a technoid, housy, fine-spirited sort and then at once jazzy. the required resolve as it pertains to the dance floor is hardly missed from taron-trekka. the desire-principle and body language mimic are most definitely functional. the big bang doesnt explode in the space, but rather in the heart. as a special treat, the fellas adorn the cover of their 12-inch from the illustrator, designer and photographer tine drefahl (http://www. tinedrefahl.com). thus is presented from freude am tanzen a worthy conclusion to a sometimes turbulent jubilee year, a complete package of artistic expression in tone and picture that is at home both on the mantel as well as the turntables.

two dogs in a house is steve summers and ron morelli (l.i.e.s) meanest project to date. rising from the delay saturated muck, pushing the red, straight forward and to the point with no time to waste, these brooklyn dogs started with a simple modus operandi as to make effective, psychedelic tracks that they would want to hear on a proper club system. and you do want to hear dogs anthem in a proper soundsystem. a fat one. rather than a decent follow up to their l.i.e.s. ep, this 12? is an statement by itself, sounding more experimental and raw ?if that?s possible than its predecessor. it evokes chicago, detroit, and industrial records equally, but do not get mixed up: this is a weapon designed to tear dancefloors apart! limited copies , hand numbered.